At times words can be a dangerous addition to music--they can pin it down. Words imply that the music is about what the words say, literally, and nothing more. If done poorly, they can destroy the pleasant ambiguity that constitutes much of the reason we love music. That ambiguity allows listeners to psychologically tailor a song to suit their needs, sensibilities, and situations, but words can limit that, too. There are plenty of beautiful pieces of music that I can't listen to because they've been "ruined" by bad words--my own and others. In Beyonce's song "Irreplaceable," she rhymes "minute" with "minute," and I cringe every time I hear it (partly because by that point I'm singing along). On my own song "Astronaut," I wrap up with the line "feel like I'm an astronaut," which seems like the dumbest metaphor for alienation ever. Ugh.I can imagine David Byrne singing that Beyonce song, actually. In case you don't know it, it goes a little something like this:
To the left, to the left . . .Whereas Beyonce sounds strong and defiant, as is typical of her, David Byrne's version sounds much more plaintive as I imagine it. Beyonce keeps her head up, but Byrne's head is decidedly down. I was surprised by how candidly Byrne throws Beyonce under the bus in this passage, but in his defense, he does sing along. Not to mention that rhyming a word with the same word is a pet peeve of mine as well. I once got so vocal about it that a friend wrote a poem to mock me for it. Each line ended with the word me, which was extraordinarily funny. The only line I remember, however, is this:
Everything you own in a box to the left . . .
Don't you ever for a minute get to thinking you're irreplaceable.
Loathing--such loathing!--for me and my clothing.That, my friends, is a great little lyric. I daresay that my friend was engaged in emergent storytelling twenty years before David Byrne wrote a book about it.